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Minority Folk Custom and Art Development
少数民族民俗与艺术发展
ISBN: 978-981-14-5873-6     Date of Publication: 2020

Preface

Culture is the bloodline and spiritual home of a nation. Nowadays, cultural status and role are more obvious. It is an important source of national cohesion and creativity, an important factor of comprehensive competitiveness, and an important support for economic development. With the continuous development of economic globalization and modernization of science and technology, the competition among various ethnic groups is not only a competition of science and technology and economy, but also a competition of culture. The role of cultural soft power has become increasingly apparent. Deepening the reform of the cultural system and promoting the prosperity of socialist culture in the new era are related to the development of socialism with Chinese characteristics and the great rejuvenation of the Chinese nation. In the 21st century, the cultural industry is emerging as a new economic form, and various ethnic minorities are developing their own cultural industries. The huge economic value generated by the cultural industry has been recognized by many countries. As a new economic form, the cultural industry is rising strongly. In developed countries, the cultural industry has become the focus and pillar industry of the social economy. In the process of global economic integration, the cultural industry, as a rising industry, has shown strong vitality for development, and has been highly valued by governments of various countries. The global cultural market has continued to expand.

Therefore, with the rapid development of the cultural industry, this book analyzes the folklore and art development of ethnic minorities from the content of seven chapters. The development of the cultural industry in the frontier regions of the western part of China can promote local social and economic development and is conducive to national unity and equality. Therefore, the development of the cultural industry of ethnic minorities must keep pace with the times, and find out a development model and road that suits them according to local conditions. The rich cultural resources of ethnic minorities are conducive to the development of their characteristic cultural industries. The development of ethnic cultural industries is conducive to the development of China's overall economy and plays an important complementary role in Chinese culture.


前言

 

文化是民族的血脉和精神家园,现在,文化地位和作用更加明显,它是民族凝聚力和创造力的重要来源、也是综合竞争力的重要因素、更是经济发展的重要支撑。在经济全球化与科技现代化不断发展的今天,各民族之间的竞争,已不仅仅是科技、经济的竞争,而更多的是文化的竞争,文化的软实力作用已越来越明显。在新时期深化文化体制改革、推动社会主义文化大繁荣,关系到中国特色社会主义的发展,关系到中华民族伟大复兴。二十一世纪,文化产业作为一种新的经济形态正在崛起,各少数民族也在发展自己的文化产业。文化产业所产生的巨大经济价值已经被众多国家所认同,文化产业作为一种新的经济形态正在强劲的崛起,在发达国家,文化产业已经成为社会经济的重点和支柱产业。全球经济一体化过程中,文化产业作为一种朝阳产业,呈现出发展的旺盛生命力,得到各国政府的高度重视,全球文化市场不断扩大。

因此,在文化产业快速发展的今天,本书从七章内容对少数民族民俗及艺术发展进行详细的分析。我国的西部的边疆地区文化产业的发展能促进当地的社会与经济的发展,有利于民族的团结和平等。所以,少数民族文化产业的发展必须与时俱进,因地制宜找出一条适合自己的发展模式与道路。少数民族丰富的文化资源,有助于其发展特色的文化产业,少数民族文化产业的发展,有助于我国整体经济的发展,对中华文化的起到重要的补充作用。


Editor-in-Chief

Xian Fang, female, born in May 1968, second-grade artist. She is currently working at Gansu Province Audio and Video Publishing House. She graduated from Northwest Normal University in 1990 with a major in fine arts. In 2007, she graduated from the graduate course of the Central Academy of Fine Arts. She has presided over and published large-scale national publishing fund projects such as "Liangzhou Xianxiao", "Wuwei", "Shiyang Dahe", "Songbei Mongolian Praises", "Circumstances of Daoqing".

 

房娴,女,19685月出生,二级美术师,现就职甘肃省音像出版社,1990年毕业于西北师范大学美术专业,2007年中央美术学院研究生课程班进修。主持出版了《凉州贤孝》、《武威》《石羊大河》《肃北蒙古族祝赞词》、《环县道情皮影》等大型国家出版基金项目。